Pieces of conversations between Erin Brubacher and: Sarah Duffy, Baz Kershaw, Peter McMaster, Min K Shin and Marloes Van der Hoek - from Performing Invitations for Nomadic Inquiry: Learning to Seek (in a City), a practice as research project by Erin Brubacher jointly with The University of Warwick and University of Amsterdam. Made for the Masters in International Performance Research.
From July 15 - October 8, 2010 I gave invitations to people in Amsterdam.
Hierbij nodig ik je uit, om mij uit te nodigen, om je te vergezellen tijdens een van je dagelijkse openbare bezigheden.
Ik ben geïnteresseerd naar het openbare leven in Amsterdam. Wellicht kunnen we samen er iets over uitvinden terwijl we wat tijd met elkaar door brengen, als stadsgenoten, als onbekenden die een stad delen.
I would like to invite you, to invite me, to join you, in an act of your everyday public life.
I am interested in finding out what public life is made of. I’m hoping we can learn something about it, while spending a little bit of time together as strangers who share a city.
I offered the invitations in several ways:
1. B I C Y C L E D E R I V E
I made a list of colours to follow in a random order: Red, Yellow, Blue, Orange, Black, White. At the exit from the courtyard of the building where I live, I waited. Some days only for few moments and other days for several long minutes. The first person I saw cycling in any direction on a non-rental bicycle, and wearing the colour red, I followed.
When that person stopped and got off her/his bike, I approached her/him with an invitation letter in a small envelope. From that geographic point, the spot where I gave the invitation, I waited for the first cyclist I saw wearing yellow.
And so on through the list of colours...
So, beginning from my own place of residence, I followed a "neighbour" who led me somewhere. I followed and approached the next "neighbour" based on where the previous "neighbour" had lead me. I surrendered control over my traveling; each invited person determined the subsequent invitation. This chance procedure forced me out of the zone of my own taste, in people and place, and led me to locations unknown to me.
Here are the places I was led to; the spots where I gave an invitation:
View Invitations in a larger map
From July 15-26, I made from five to thirteen invitations each day until 45 invitations had be given in this way...
2. S I G N
On 21st September I made a sign that read:
I N V I T A T I O N
I have an invitation for you... Just come and ask me for it.
I invited people to approach me for a paper invitation with the text above:
"Dear Neighbour, I would like to invite you, to invite me, to join you, in an act of your everyday public life..."
For the next few weeks I used my sign in a number of locations in the city...
3. F I V E M I N U T E S
A Wednesday in September, just after I had moved to the east side of Amsterdam, I began inviting people to spend five or more minutes with me on the spot. After our meetings I made photographs of the spaces where we had met after we were no longer there and wrote retrospective-verbatim scripts of our encounters.
Performing Invitations for Nomadic Inquiry: Learning to Seek (in a City)
In 2010 I conducted a practice-as-research project, for the Masters in International Performance Research, jointly with The University of Warwick and University of Amsterdam.
Two methodological proposals I made for this practice-as-research were 'Conversation as a Methodology' and 'Nomadic Hierarchies'. Excerpts on these matters can be read here.
Full dissertation available upon request.
In September 2013, I went to an Unconference, at the AGO. In a session on ethics, I said that, for me, “art is an opportunity to embody a world we hope for.” This seemed to speak to some people. It’s something I’ve been trying to articulate as I define a notion of Social Dramaturgy-- a term I’ve been using to describe an aspect of my practice, but have only recently begun to put words to. The response to my statement made me think it might be a good time to share some of these ideas in process. So here goes: An excerpt from some first words on Social Dramaturgy.
Towards an Everyday Meal is an example of performance research I conducted at Warwick University.